TADFF 15 Review: Deathgasm
Deathgasm is hardcore. There is no other way of putting it. Even from its very beginnings, according to the Toronto After Dark’s Q and A with its director Jason Lei Howden and producer Sarah Howden, the film proved just how powerful it could be through a one sentence prompt and treatment that would ultimately allow it to win the Make My Horror Movie contest in 2013 and win the production money that it needed to scream into existence.
It is so loud and clear with what it is that you don’t even have to be a metal expert to enjoy what you see. After a beautiful animated sequence, Deathgasm shows itself to be a story about a group of teenage friends in a conservative town that essentially unlock a demonic power through acquiring and playing sheets of music. These sheets are being hunted by a cult and then by the demonically-possessed citizens of the teenagers’ home town.
You get what you can expect when you look at how the horror genre has influenced the growth of metal: tons of gore, angst, screaming, demonic zombie destruction, and lots of penises. Certainly the prosthetics and special effects are impressively twisted: especially when you consider that they are all mostly borrowed props. For instance, the audience in the Q and A were told that the penises were taken from Spartacus of all places.
But this is just the blood and gore that stains the raging metalhead bad ass. In a movie that plays with the age-old theme of anarchy and vulgar defiance against conformity and hypocrisy, you also get some interesting characters for your time. Brodie (Milo Cawthorne) and Zakk (James Blake) play well off and against each other. Zakk himself is a bit of an asshole but somehow manages to also be a friend and even something of an anti-hero: though as you become more aware of the plot, you will begin to see where he is going with all this. And Brodie comes into his own from being in Zakk’s shadow: claiming the song that he used to unleash hell in a fit of angst.
Even the female lead in the film Medina (Kimberly Crossman) has her own excellent character development. She starts off as something of a popular girl at school but already demonstrates that she is kind, real, and open-minded. You actually get invested with seeing her and Brodie’s relationship and how it’s completely reciprocal. It even gets to the point where she rescues the rest of their band with an ax-pun of which Buffy the Vampire Slayer would be proud.
The villains have excellent moments and conflicting agendas and these, along with Brodie, Medina, and Zakk make up for some of the more stereotypical characters that populate the movie. There is just this emotional complexity amid the gore that makes it all the more alive: its dark humour and irreverence for even the hellish powers animating the story far more than any demon ever could. Also, given that this is a metal movie the soundtrack, much of it made by Skullfist, is excellent. In fact, Howden made people aware that they will be releasing Deathgasm‘s music in a double vinyl record.
In the end, Deathgasm is a glorious, musical, blood-splattered journey into hell and the pointlessness of life and the bad-assness of what you can achieve when you stop caring about the things that don’t matter and begin loving the things that ultimately do. Also, you get to watch really bad people get their moral comeuppance in some graphic and disgusting ways. Karma has never been so metal.
Deathgasm is a film about demons, friendship, metal, and douchebag comeuppance. The blood and gore is given substance by humour and good character interaction. Highly recommended if you can stomach the messiness, the power, and the glory.